Perhaps Crimeth Inc Would Allow Release of the Biggie Smalls Movie If SNAG Spike Lee Re-Wrote it To Make the LAPD Heroes who Solve the Rapper's Murder?

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SNAG = $NITCH ASS NEGROES AIDING GOVERNMENTS. According to FUNKTIONARY: SNAGs are $nitch-ass Negroes Aiding Governments. 2) COINTEL-BROs. 3) Smile Negro And Grin—while I put it in. SNAGs are coin-operated piece-activist sniggering infiltraitors from the native Black American community. SNAGs are on the stroll, exacting Black life as the toll, while klandestinely on the rogue "government" payroll. Dumb-ditty dumb where the hell do these sorry-ass sellout Negroes come from? When you see them, go and give them some—or at least a piece of your mind. It's easy to heckle and hyde, but why do we seem to always let self-hating sucker-perpetrating Negroes electric slide? SNAGs are Negroes who run from the fabric, the very essence of their Afrikan heritage struggle, culture and consciousness, and run to support the psychopathological dominant minority elite European global racist-supremacist mindset and Agenda along with its narcissistic projections and population control objectives (genocide and eugenics). The more you pull at a snag, the more problems it causes—hence, you have to cut it off from the garment so it will cease causing constraint and strain on the integrity of the fabric of Afrikan consciousness and liberation. Don't just run them off, cut them off. SNAGs get dealt with! SNAG's are responsible for facilitating agents of various "government intelligence" operations in successfully accomplishing the "wet jobs" (assassinations) and downfall of some of our most cherished leaders, luminary thinkers, uncompromising revolutionaries and lovers of justice for all humanity. SNAGs come in all shapes, colors, sizes and forms within the Black American community but they all share one common thread—self-hatred. Some of the less known but high-exposure SNAGs were Alex Haley (who covertly worked his roots on Malcolm X), Ernest Withers (civil rights photographer and FBI informant), and Justice Thurgood Marshall (also snitching and informing on the Right-Reverend Martin L. King, Jr.), not to mention another "Reverend" from Memphis, TN who was involved (along with Jesse Jackson) in the orchestration of King's assassination. SNAGs have also been known to be complicit in both successful and botched assassination schemes plotted and executed by the shadowy characters within and behind the veil of the Corporate State and its wet-works black operations spy agencies. (See: COINTELPRO, FBI, CIA, Manhood, Snigger, Sigma Pi Phi, Coin-Operated, Racism White Supremacy, HO-Method, Infiltraitors, Wet Jobs & Piece-Activist) [MORE]

[Spike Lee's NYPD propaganda  [MORE] vs reality below, as white cop threatens to Taser 7-year-old Black Girl while Breaking up Block Party 08/18/18 in South Bronx. 

As “Sorry to Bother You” filmmaker Boots Riley points out, in the age of Black Lives Matter, Spike Lee’s latest joint,   BlacKkKlansman, is also a film that seems to back the argument of the Blue Lives Matter campaign; this countermovement to Black Lives Matter argues that it is actually officers, armed with state power and money, that should be “a protected class” amid growing calls for police accountability.

The fictionalized flourishes within the movie gave the police more credit than they deserve for challenging the racism among their ranks. There’s a moment toward the end of the end of the film in which the entire Colorado Springs Police Department conspires together to oust a racist officer from within their ranks. There’s laughter and clapping and general merriment as the routine harasser is exposed and yay! The police save Patrice, the lead black woman again; first from a car bomb, now from police brutality.  

Meanwhile, the film never acknowledges the cause Patrice was fighting for in the first place: the liberation of black people from a police state. Her valid complaints fall on deaf ears, and there’s nothing in the film that indicates that the Colorado Spring Police Department will stop trying to subvert her organizing. The movie lets the police off the hook for the damage they did in surveilling black people just trying to survive. Because how can we criticize the heroes who save the day?

This light-hearted portrayal of the police in the film is dangerous messaging at a time like this. As the Memphis trial of surveillance of Black Lives Matter activists gets underway this week, “BlacKkKlansman” presents a narrative that ignores the fact many local intelligence units who cooperated with federal surveillance sabotaged black communities. Today, real-life law enforcement is still using more resources on people fighting racism than the racists themselves. [MORE]