The Making of a Showcase Black: For What Reasons are Elite White Liberals Forcing Amanda Gorman Onto Black People? How Will the Gullible Poet Help Refine White Supremacy or the System of Coercion?

Although, the attractive 23 year old has not yet had a real job or contributed anything of tangible value to a Black community, elite racist suspects have been giving Amanda Gorman rewards since at least 2017. According to Wikipedia, the go to source of “white history” for neuropeans and neuropeons, “Amanda S. C. Gorman (born March 7, 1998) is an American poet and activist.” Her push to celebrity status by neuropeans took off earlier this year when she delivered her poem "The Hill We Climb" at the inauguration of U.S. President Joe Biden. The poem generated international acclaim by racist suspects, and shortly thereafter, her two poetry books achieved best-seller status, and she obtained a professional management contract. In 2017, Gorman said she intends to run for president in 2036 and she has subsequently often repeated this aspiration. [How she might become qualified for such an undertaking or for what purpose are of no happenstance to the dependent media]. On being selected as one of Glamour magazine's 2018 "College Women of the Year", she said: "Seeing the ways that I as a young black woman can inspire people is something I want to continue in politics. I don't want to just speak works; I want to turn them into realities and actions." After she read her poem "The Hill We Climb" at President Joe Biden's inauguration in 2021, racist suspect Hillary Clinton tweeted her support for Gorman's 2036 aspiration. In 2019, Gorman was chosen as one of The Root magazine's "Young Futurists", an annual list of "the 25 best and brightest young African-Americans who excel in the fields of social justice and activism, arts and culture, enterprise and corporate innovation, science and technology, and green innovation." (as far as BW knows, The Root is dependent on white elite financing and underwritten by white elite advertising revenues and it craves white media’s acceptance and recognition.) In February 2021, Gorman was highlighted in Time magazine's 100 Next list under the category of Phenoms, with a profile written by Lin-Manuel Miranda, an ignorant token or “a historian of white history” whose play “Hamilton” portrayed Alexander Hamilton, a slave trafficker and slave owner as an abolitionist and a hero. [MORE]

In March 2021, Gorman said she was racially profiled by a security guard near her home, and tweeted afterwards, "He left, no apology. This is the reality of black girls: One day you’re called an icon, the next day, a threat." She later tweeted, "In a sense, he was right. I AM A THREAT: a threat to injustice, to inequality, to ignorance. Anyone who speaks the truth and walks with hope is an obvious and fatal danger to the powers that be. A threat and proud." Here, the gullible poet missed a teaching moment regarding her powerless class status in the system of racism white supremacy; despite her ivy league education, connections to powerful elite whites, modest financial success and “icon status,” she was nevertheless still treated like a nigger [a non-white person subject to white supremacy] and the only thing she could do to stop racists from targeting and surveilling her in her own neighborhood was to tweet about it or write poems.

Most recently, Gorman graced the cover of this month’s Wall Street Journal magazine - for no other reason but to promote her celebrity status.

Neely Fuller correctly states in the system of racism white supremacy Black people are subject to the direct and indirect power of elite racists in all areas of activity including Economics, Education, Entertainment, Labor, Law, Politics, religion, Sex and War.

In the area of “entertainment” the dependent media, “a segregated white-owned enterprise with billions of dollars at their disposal,” makes great use out of Showcase Blacks to control the behavior and thinking of Black and other non-white people. It is important to understand that elite whites (liberal or republican) are the deciders, choosers and creators here; they select and groom [by rewards or otherwise] the potential celebrity [home grown, grass roots persons. The great rebel Ishmael Reed explains that ‘racists have been imposing spokespersons on Blacks for over a century.’ Dr. Blynd explains, in the hands of elite, corporate, racist suspects “entertainment” “is mental masturbation bringing you to indoctrination—coming into your (five) senses.” Elite racists have created an army of “Showcase Blacks” or rolebotic, celebrity Blacks whom they control through various rewards and punishments. Said role-bots have priceless value to racists in the system of racism white Supremacy. FUNKTIONARY explains, “A role-bot merely plays the role of the mask - the personae - society issued and approved.”

Showcase Blacks are “coin-operated,” high-profile blacks that are constantly paraded before the public. Showcase Blacks are a necessary illusion of the racism/white supremacy system. They may be political dignitaries, pro athletes, entertainers, educators, business people, judges or elected officials. They are rewarded handsomely for their activities and their created personas are a career investment. But they are disposable [see Cosby]. Their real purpose is to mask the REALITY of being black in America. [MORE] Bear in mind that white supremacists/racists control the show. Showcase Blacks are not showcasing themselves, they are being showcased by white supremacists to promote some aspect of RSW. [MORE]

A function of showcase blacks is to control the spectrum of ideas discussed by Blacks, control the parameters of dissent, political discussion and define what kinds of ideas are "proper" and "reasonable." Through showcase blacks, elite whites present a numerous array of personalities and characters in movies, tv, social media programming whom are obedient citizen-subjects to authority, pliable and in general compatible with the white supremacy dynamic and the servant role in a white over Black system. Thereafter, as Chuck D explained, “[Black] people see, [Black] people do,” or mimic and integrate said characters into their own personality and falsified Afrikan consciousness. Such characters generally are SNiggering, dancing, singing, begging, emotional, joking, always non-serious, thug, nigger/ho/bitch, ongoing smiling face, sambo, BOHICAN etc., persons who could never be fit to overthrow or neutralize the system of racism white supremacy or destroy the master/servant relationship or merely question the system of authority they are additionally held captive to.

Anon explains that ‘showcasing prominent Blacks; deceives the black collective about the realities of racism, neutralizes the legitimate claims of racism by blacks and offers a pressure relief valve for the explosive build-up of frustration and rage within the black collective. If blacks believed they had nothing to gain, the nation would be at risk from millions of blacks who had nothing to lose. In reality, the high visibility of Showcase Blacks actually confirms just the opposite. The more prominent the Showcase Blacks — who are just a tiny percentage of the black population — the worse things are getting for the black masses. In other words, the need to increase deception should serve as a warning to the black collective.’

Anon further states, ‘Showcase Blacks are used to put a "black face" on unpopular government and corporate policies. Whenever a white politician appears before the cameras, Showcase Blacks are standing in the background to give the impression that blacks are conspiring with white officials to deceive and defraud the public. In reality, these black bobbing heads have no power to agree or disagree with anything.’

Ms. Gorman already has been used to help enhance the image of racist suspect Joe Biden in the minds of the Black and white moderate votary. How racists will continue to use Ms. Gorman to maintain or refine the white supremacy dynamic or system of government coercion remains to be seen.